Tuesday, June 30, 2009
Next Semester
Next fall I will be teaching:
History of Homesteading
and
History of the Great Plains and Rocky Mountains.
You are all more than welcome to take one or both of these courses. The reading lists will be completely different from what we read this semester.
Take care.
Have a good summer!
Dennis Kuhnel
Wednesday, May 6, 2009
Dances with Wolves Movie Review
Dances with Wolves, a film made in the year 1990, revolves around John Dunbar, a United States soldier who decides to restore and old fort in the Great Plains. When doing this restoration, Dunbar realizes that no white men seem to be coming, so he decides to explore and finds an Indian reservation of Sioux Indians. While they are frightened of him at first, they later start to bond. The Indians accept John Dunbar into their clan and call him Dances with Wolves. After learning the Sioux language and their way of life, Dances with Wolves falls in love with one of their white members, Stands with a Fist. The two get married, but shortly after, an army of white men comes to attack the Indians, and they capture Dances with Wolves. However, a group of valiant Sioux Indians comes to save Dances with Wolves, and they take him back to their new winter village. Dances with Wolves, however, is worried that the white men will come after him, and he does not want to put the Sioux in danger. Therefore, Dances with Wolves and Stands with a Fist escape to new land, and leave the Indians behind in order to keep them safe the American soldiers.
When watching this movie, I noticed that the way of Indian and Great Plains life depicted in the movie was extremely similar to what we have learned this semester in class from our readings. In The Comanche Empire, by Pekka Hamalainen, Comanche Indians took Mexican women and children hostage and then adapted them to the Indian way of life. These Mexicans would marry into the tribe and usually become so happy that they did not want to return to their families in Mexico. Similarly, Stands with a Fist was abducted from her white, English-speaking family at a young age. Years later, she married a man in the Sioux tribe. She became so accustomed to the Sioux way of life that when she first saw John Dunbar, she was frightened of the strange white man. She felt that she was part of the Sioux tribe and did not want to leave.
Another thing that I learn from my readings this semester was that trade and gifts were imperative to Indian lifestyles. Trading forts such as Taos and Bent’s Fort provided Indians with food, horses, slaves, and more. In the movie, Dances with Wolves and another Sioux Indian traded an American hat for an Indian garment. Also, Dances with Wolves was offered a buffalo hide to show that the Sioux came in peace and wanted to befriend him. In The Comanche Empire, Mexicans and Americans often provided the Comanche Indians with goods in order to make peace and form alliances.
Animals, I have learned this semester, were necessities for all people living on the Great Plains. Horses were key for battle and transportation, while buffalo were used for food and clothing. Most Indians had a nomadic lifestyle, especially after the introduction of the horse. As the seasons changed and buffalo migrated, they would pack up their tipis and leave. Likely, in Dances with Wolves, the Sioux Indians migrated to a new location when winter came. During battle, whether the Indians were battling with other Indian tribes or white Americans, horses were pivotal. The Sioux defeated the Americans when they came to take Dances with Wolves away, and they annihilated another tribe with the help of horses. Additionally, John Dunbar, when a member of the United States army, was saved during battle because of his horse, Cisco. Buffalo were imperative hunting items to all Indians until their numbers dwindled in the late nineteenth century. In the film, Dances with Wolves was acclaimed for tracking down a herd of bison and shooting one buffalo. A large celebration was thrown for him that night, and mass amounts of buffalo meat were eaten.
In Common & Contested Ground, by Theodore Binnema, the horse and gun revolution was a topic that often popped up. Binnema noted that when the gun was introduced to the Indians, they disposed of their bows and arrows and became valiant fighters. In comparison, Dances with Wolves introduced the gun to the Indians, and with the help of their horses, they became true warriors after obtaining this new weapon. If it were not for this weapon, the Americans may have likely captured Dances with Wolves, and the Sioux tribe could have been either taken to a reservation or murdered.
Overall, Dances with Wolves is a great depiction of Great Plains history. This film is perfect for viewers who are interested in learning more about the Great Plains. Viewing this movie, I obtained an even better understanding of Great Plains life, and I gained a greater respect for Indians. While some people view Indians as only fighters and rebels, this movie showed that they really have a great sense of family pride, and they will do anything for those in their tribe.
Tuesday, May 5, 2009
Snow Rollers on Camas Prairie
On the evening of March 31st, 2009, Tim Tevebaugh was driving home
from work east of Craigmont in the southern Idaho Panhandle (see map
below). Across the rolling hay fields, Tim saw a very usual phenomenon.
The snow rollers that he captured in these pictures are extremely rare
because of the unique combination of snow, wind, temperature and moisture
needed to create them. They form with light but sticky snow and strong
(but not too strong) winds. These snow rollers formed during the day as
they weren't present in the morning on Tim's drive to work.
http://www.wrh.noaa.gov/otx/photo_gallery/snow_rollers.php
Sunday, May 3, 2009
Effigy Mounds Notes
Thursday, April 30, 2009
30 Years Of Man's Life Disappear In Mysterious 'Kansas Rectangle'
http://www.theonion.com/content/news/30_years_of_mans_life_disappear_in
CHICAGO—The so-called "Kansas rectangle," a desolate and featureless region covering 82,277 square miles in America's mysterious Great Plains, has been a source of speculation among paranormal investigators for decades. Though the questions surrounding its existence have never been answered, one thing is certain: The life of former Chicagoan Kevin Corcoran suddenly vanished into the eerie region 30 years ago this week, never to return.
According to his friends and family, Corcoran, a bright and energetic young man of 18, was last seen driving into the Rectangle in a Plymouth Duster on the afternoon of May 8, 1978. Surveillance footage shows him stopping at a gas station near the border to buy fuel and snacks at 4:15 p.m. Although his trip was only supposed to last the summer, he was never seen or heard from again.
The last known communication from Corcoran was sent from somewhere within the Rectangle, and made reference to plans to marry a large blond woman and enroll in a local technical college. Records indicate the message was received from 37 degrees 42 minutes north latitude and 97 degrees 20 minutes west longitude—but when searchers attempted to investigate that location, they found nothing but a tiny town with zero signs of life.
"Who knows if my son will ever return to civilization," said Corcoran's father, Dennis, now 76. "Some have reported seeing a pale and dead-eyed specter of him, trudging to and from a small office-supply firm every day, but they could just be legends. We don't know."
Acquaintances of Corcoran say they warned him that once he entered the Rectangle, he would never make it back out, but he did not listen, and was drawn there to investigate tales of cheap tuition. It wasn't until Corcoran failed to show up in the summer of 1978 for an annual camping trip, however, that the reality of his disappearance began to sink in.
"I knew then he wasn't coming back," friend Craig Wilkins said. "He got sucked into this alternative reality, and he can't get out. I'll never see my friend again."
The mysterious region has, according to some accounts, swallowed thousands of potentially interesting and active lives.
As haunting as his story may be, Kevin Corcoran is only one of hundreds of people who, for unknown reasons, have had years or even decades of their lives utterly fade away in the mystifying region. Still, most cases lack any hard evidence: The few known photos from inside the Rectangle show only a flat, blank emptiness, stretching unremarkably to the horizon.
What happens in the lives of those who venture within remains a mystery.
Matthew Hume, a researcher at the University of Chicago who studies the Rectangle, said the bizarre phenomena associated with the region might never be fully understood.
"As best we can tell, those who go beyond the area's borders for too long are knocked off course by the low external pressure to succeed," Hume said. "But after that, it's as if they fall off the face of the earth. There are cases of an entire Greyhound bus full of people entering the Rectangle and vanishing into obscurity."
Experts estimate that several million tons of consumer goods disappear into the region per year. Yet, almost nothing, save for the odd Sunday morning church broadcast, is ever detected coming back out.
Still, some travelers have returned to tell their tales. The most frequent occurrence reported by those who have survived the Kansas Rectangle is extreme disorientation and an unsettling perception of time distortion.
Boulder, CO resident Ned Frome entered the Rectangle in 2005 while en route to visiting family in St. Louis.
"I had been driving for hours, but it was as though I hadn't moved at all," Frome said. "I had no idea which direction I was going in. No matter where I looked, everything was exactly the same and before long, normal navigation was almost impossible."
"I'll never go in there again," Frome added with a shudder. "I felt like I was going insane."
Kyle Manheim, a photocopier salesman from Minneapolis who was once inside the Kansas Rectangle for two weeks on business, said he could not clearly remember any events from the time period.
"There isn't a single thing I can recall that would be worth mentioning," Manheim said. "I know I was there, but that's about it. It's like those 14 days never happened."
While many strongly believe in the eerie, soul-destroying powers of the Kansas Rectangle, the dearth of concrete evidence has drawn its share of skeptics.
"If you look at the statistics, there's nothing going on in that area that doesn't happen every day in the rest of the country," said Stephen Finney, a long-haul trucker who is familiar with the region. "What happened to Kevin Corcoran could have happened in Iowa, Indiana, or even Michigan.
"It's just a myth," Finney added. "This whole 'Kansas' place people talk about simply does not exist."
Tuesday, April 28, 2009
The Great Plains, Final Reading Assignments
New Course for Next Fall (I Will Teach It)
Picture: University of Iowa Powwow, 2009.
History of Homesteading
Homesteading is often described as one of the most significant experiences in the history of westward expansion and European settler-states. This course's objective is to comparatively examine the history of homesteading in the United States, Canada and Australia and its far-reaching effects upon landscape and people. We will think critically about this history by studying secondary sources, historical novels and film. Students will be expected to participate in class discussions, write and present two shorts paper and complete two exams.
Monday, April 27, 2009
Pictures from Pikes Peak in Iowa
Sunday, April 26, 2009
Final ID Terms List
Hey Folks. This is the final list for your study purposes. I added 20 terms to the last version. I will add no more. All terms are from lecture, class, flim or readings. Ask if you have any questions. This should be pretty easy if you have been keeping up with the readings and studying the older list.
On Tuesday we will discuss the Final more. You will take the IDs test on the last day of class. It will be just like it was with the Midterm.
The List
Stephen Long
Great American Desert
Lewis and Clark
Frederick Jackson Turner
“The Significance of the Frontier in American History”
Germ Theory of Settlement
Oregon Trail
Mormon Trail
Bozeman Trail
Fetterman Massacre
Grattan Massacre
Sand Creek Massacre
Wounded Knee
Plains Indian Wars
Fort Laramie
Open Range Cattle
Hereford
Abilene
Red Cloud
Wyatt Earp
Wild Bill Hickock
Dodge City
Deadwood
The Black Hills
George Armstrong Custer
Code of the West
Vigilantism
William Jennings Bryant
The Homestead Act of 1862
The Kinkaid Act
1868 Fort Laramie Treaty
Cheyenne
Lame Deer
Dull Knife
Cheyenne Outbreak
The Dust Bowl
“Okie”
Fort Robinson
1868 Ft. Laramie Treaty
Bear Butte
Trickster
Waylon Jennings
James Malin
Climax Theory of Ecology
The New Deal
“Buffalo Commons”
CRP
Karl Marx
Ogallala Aquifer
Zebulon Pike
Billy the Kid
Jim Bridger
George Armstrong Custer
Little Bighorn
Fort Union
North Platte
“Black Blizzard”
Soil Conservation
Saturday, April 25, 2009
Hiking Trip on Sunday is Cancelled, Severe Weather All Day Tomorrow
Friday, April 24, 2009
Effigy Mounds Weather.
Thursday, April 23, 2009
Monday, April 20, 2009
A Passion for Nature: The Life of John Muir
Go Support Our Classmate Mirri May, 4, 2009 at the Mill
Mirri at the Mill!!!!!!! :D
the first real show- EVER!
Host: Mirri and the Mill
Type: Music/Arts - Performance
Network: Global
Start Time: Monday, May 4, 2009 at 11:15pm
End Time: Tuesday, May 5, 2009 at 12:15am
Location: The Mill, Iowa City
Street: burlington st.
City/Town: Iowa City, IA
View MapGoogle
MapQuest
Microsoft
Yahoo
Email: mirri888@yahoo.com
DescriptionMirri plays at open mike night at the Mill at 11:30ish for a half an hour Monday May 4th AND YOU WANT TO BE THERE!!!! I will have CD's for 5$ if u care.
Sunday, April 19, 2009
The Great Plains
Video: I searched Youtube to see if there was any material on his book- I found this instead. Does this video relate to anything we have discussed this semester? More importantly, how does it relate to Frazier's The Great Plains.
For Thursday make sure you have read the first 64 pages of Ian Frazier's The Great Plains.
Paper Due Date Reminder and Update on Reading Assignment
Picture: An Educational Moment from Thursday's Field Trip to the Old Capitol Museum
Paper is due the Tuesday after this week.
You should also be finished with The Dust Bowl by this Tuesday the 23rd. Technically, you should have finished it last week but on Tuesday we will have our last class discussion on the book. Pay special attention to the final chapters and conclusion. For Thursday you will have a reading assignment for our next book, The Great Plains by Ian Frazier.
Friday, April 17, 2009
Homestead Reference in Today's Wall Street Journal
Picture: Iowa City on April 17, 2009
OPINION: DECLARATIONS APRIL 17, 2009 Goodbye Bland Affluence
Get ready for authenticity chic.
By PEGGY NOONAN
Article
more in Opinion »Email Printer Friendly Share:
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A small sign of the times: USA Today this week ran an article about a Michigan family that, under financial pressure, decided to give up credit cards, satellite television, high-tech toys and restaurant dining, to live on a 40-acre farm and become more self-sufficient. The Wojtowicz family—36-year-old Patrick, his wife Melissa, 37, and their 15-year-old daughter Gabrielle—have become, in the words of reporter Judy Keen, "21st century homesteaders," raising pigs and chickens, planning a garden and installing a wood furnace.
APMr. Wojtowicz was a truck driver frustrated by long hauls that kept him away from his family, and worried about a shrinking salary. His wife was self-employed and worked at home. They worked hard and had things but, Mr. Wojtowicz said, there was a "void." "We started analyzing what it was that we were really missing. We were missing being around each other." So he gave up his job and now works the land his father left him near Alma, Mich. His economic plan was pretty simple: "As long as we can keep decreasing our bills we can keep making less money."
The paper weirdly headlined them "economic survivalists," which perhaps reflected an assumption that anyone who leaves a conventional, material-driven life for something more physically rigorous but emotionally coherent is by definition making a political statement. But it didn't look political from the story they told. They didn't look like people trying to figure out how to survive as much as people trying to figure out how to live. The picture that accompanied the article showed a happy family playing Scrabble with a friend.
Their story hit a nerve. There was a lively comment thread on the paper's Web site, with more than 300 people writing in. "They look pretty happy to me," said a commenter. "My husband and I are making some of the same decisions." Another: "I don't know if this is so much survivalism as a return to common sense." Another: "The more stuff you own the harder you have to work to maintain it."
To some degree the Wojtowicz story sounded like the future, or the future as a lot of people are hoping it will be: pared down, more natural, more stable, less full of enervating overstimulation, of what Walker Percy called the "trivial magic" of modern times.
The article offered data suggesting the Wojtowiczes are part of a recent trend. People are gardening more if you go by the sales of vegetable seeds and transplants, up 30% over last year at the country's largest seed company. Sales of canning and preserving products are also up. Companies that make sewing products say more people are learning to sew. I have a friend in Manhattan who took to surfing the Web over the past six months looking for small- and farm towns in which to live. The general manager of a national real-estate company told USA Today that more customers want to "live simply in a less-expensive place."
More Peggy Noonan
Read Peggy Noonan's previous columns.
And click here to order her new book, Patriotic Grace.Some of this—the desire to live less expensively, and perhaps with greater simplicity—seems to key off what I am seeing in Manhattan, a place still generally with more grievances than grief, and with a greater imagination about how badly things are going to go than how bad it is right now. Many think that no matter how much money is sloshing through the system from Washington, creating waves that lead to upticks, the recession is really a depression. We won't "come out of it," as the phrase goes, for five or seven years, because the downturn is systemic, global, and because the old esprit is gone. The baby boomers who for 40 years, from 1968 through 2008, did the grunt work of the great abundance—work was always a long-haul trip for them, they were the first in the office in 1975 and are the last to leave the office to this day—know the era they built is over, that something new is beginning, something more subdued and altogether more mysterious. The old markers of success—money, status, power—will not quite apply as they have. They watch and work as the future emerges.
In New York some signs of that future are obvious: fewer cars, less traffic, less of the old busy hum of the economic beehive. New York will, literally, get dimmer. Its magical bright-light nighttime skyline will glitter less as fewer companies inhabit the skyscrapers and put on the lights that make the city glow.
A prediction: By 2010 the mayor, in a variation on broken-window theory, will quietly enact a bright-light theory, demanding that developers leave the lights on whether there are tenants in the buildings or not, lest the world stand on a rise in New Jersey and get the impression no one's here and nobody cares.
The New York of the years 1750 to 2008—a city that existed for money and for all the arts and delights and beauties money brings—is for the first time going to struggle with questions about its reason for being. This will cause profound dislocations. For a good while the young will continue to flock in, for cheaper rents. Artists will still want to gather with artists—you cannot pick up the Metropolitan Museum and put it in Alma, Mich. But there will be a certain diminution in the assumption of superiority on which New York has long run, and been allowed, by America, to run.
More predictions. The cities and suburbs of America are about to get rougher-looking. This will not be all bad. There will be a certain authenticity chic. Storefronts, pristine buildings—all will spend less on upkeep, and gleam less.
So will humans. People will be allowed to grow old again. There will be a certain liberation in this. There will be fewer facelifts and browlifts, less Botox, less dyed hair among both men and women. They will look more like people used to look, before perfection came in. Middle-aged bodies will be thicker and softer, with more maternal and paternal give. There will be fewer gyms and fewer trainers, but more walking. Gym machines produced the pumped and cut look. They won't be so affordable now.
Hollywood will take the cue. During the depression, stars such as Clark Gable were supposed to look like normal men. Physical perfection would have distanced them from their audience. Now leading men are made of megamuscles, exaggerated versions of their audience. That will change.
The new home fashion will be spare. This will be the return of an old WASP style: the good, frayed carpet; dogs that look like dogs and not a hairdo in a teacup, as miniature dogs back from the canine boutique do now.
A friend, noting what has and will continue to happen with car sales, said America will look like Havana—old cars and faded grandeur. It won't. It will look like 1970, only without the bell-bottoms and excessive hirsuteness. More families will have to live together. More people will drink more regularly. Secret smoking will make a comeback as part of a return to simple pleasures. People will slow down. Mainstream religion will come back. Walker Percy again: Bland affluence breeds fundamentalism. Bland affluence is over.
Tuesday, April 14, 2009
Effigy Mounds Field Trip: Weather Update
http://weather.yahoo.com/forecast/USIA0536_f.html
www.nps.gov/efmo
Folks.
The final head count will occur on Thursday, weather permitting. Be willing to commit one way or the other that day. Ideally, at least, seven people will go. You cannot beat 3 extra credit points folks. No write up is required either, if you go on the Effigy trip.
Any remaining movie reviews people will write I will hold to a very high standard, so don't expect that you can pick up other points easily.
Art History Lecture: Iowa and the Prairie Schools
1 Point Extra Credit if you go and write it up.
http://www.art.uiowa.edu/newsdetail.php?more=1096
"Identity and Architecture: Iowa and the Prairie Schools," lecture by Richard Guy Wilson, visitor in Art History
Thursday, April 16, at 5:30 pm, in Room E105, Adler Journalism Building
Richard Guy Wilson holds the Commonwealth Professor’s Chair in Architectural History at the University of Virginia (Thomas Jefferson’s University) in Charlottesville, Virginia, where he is also Chair of the Department of Architectural History. His specialty is the architecture, design and art of the 18th to the 20th century both in America and abroad.
He was born in Los Angeles—-the home of everything new—-and grew up in a Rudolph Schindler house, the leading modernist, designed for his parents. He received his undergraduate training at the University of Colorado and MA and Ph.D. at the University of Michigan. He taught at Michigan and Iowa State University before coming to Virginia in 1976.
Wilson has received a number of academic honors, among them a Guggenheim fellow, prizes for distinguished writing, and in 1986 he was made an honorary member of the American Institute of Architects (AIA). He received the outstanding professor award at the University of Virginia in 2001. He has directed the Victorian Society’s Nineteenth Century Summer School since 1979 that has been located in Boston, Philadelphia and currently Newport, RI. He has served as an advisor and commentator for a number of television programs on PBS, C-Span, History channel and A&E; he appeared on most sixty-seven segments of America’s Castles.
He is the author or joint author of 14 books that deal with American and modern architecture. Among the most recent include books on Thomas Jefferson’s design of the University of Virginia, and principle author and editor of the Society of Architectural Historians book. He has been the curator and author for major museum exhibitions such as The American Renaissance, 1876-1917, The Art that is Life: The Arts and Crafts Movement in America, The Machine Age in America, 1918-1941, and The Making of Virginia Architecture.
--------------------------------------------------------------------------------
The University of Iowa School of Art and Art History: 141 North Riverside Drive, 150 Art Building West, Iowa City, IA 52242-7000
Phone (319) 335-1771 or Email art@uiowa.edu for more information.
Please email art@uiowa.edu with questions and comments on this web site.
Copyright © 2000 - 2009. The University of Iowa. All rights reserved.
Saturday, April 11, 2009
University of Iowa Powwow Today!
Picture: Dancer at Fort Robinson, Nebraska, 2004 (remember Fort Robinson from Old Jules . . . ?)
See email I sent to for information on extra credit if you attend. There are more than one "grand entries" today. I am going to try and make the noon grand entry. It is free with your student ID.
http://www.uiowa.edu/~events/04-10-09-powwow.html
Friday, April 10, 2009
Woody Guthrie's "Talkin Dust Bowl Blues"
Thursday, April 9, 2009
Swearengen was from Iowa!
Video Caption: Scene from Deadwood (beware bad langauge). David Milch, the creator of Deadwood, went to graduate school at the University of Iowa. While much of it is soap opera-ish, there are some valid historical themes and issues developed in the series. Specially of interest is the portrayal in several of the characters of what some call the "Code of the West." This scene is an example of that.
http://www.legendsofamerica.com/WE-GemSaloon.html
Be skeptical about the source for much of this information, but it is very interesting. Sounds alot like some of the scenes in Old Jules that we read. Many of the Americans that emigrated to the Dakotas and the Black Hills, like Swearingen, were from Iowa. This fact is probably most explainable by Iowa's relatively close geographical proximity to the Dakotas.
OLD WEST LEGENDS
Al Swearengen & the Notorious Gem
Theater
Ellis Alfred Swearengen and his twin brother Lemuel were born in Oskaloosa, Iowa on July 8, 1845. The twins were the oldest of eight children, raised by parents Daniel and Keziah Swerengen until they were adults in Iowa.
Al, as he was known, arrived in Deadwood in May, 1876 as one of the earliest non-mining men in the area. By the end of the week he had a temporary dance-hall up and running. Arriving with his wife Nettie, she soon left him in September and later divorced him claiming spousal abuse. Swearengen would marry two more times while in Deadwood, both marriages resulting in divorces and similar claims of abuse.
Swearengen soon replaced his temporary dance-hall with a permanent building called the Cricket Saloon, a very small tavern that the newspapers referred to as a “hall” due to its narrowness.
For entertainment, Swearengen offered “prize fights” in a 5’x5’ space, though no prizes actually existed. The non-professionals engaged in the matches were generally normal working miners who were persuaded by Swearengen to participate.
On April 7, 1877, Swearengen opened the Gem Variety Theater that was described in the Black Hills Daily Pioneer as being “neat and tastefully arranged as any place of its kind in the west.” The Gem Theater soon provided the entertainment starved camp with comedians, singers and dancers, as well as continuing its display of “prize fights.” However, the theater was mostly a masquerade for its primary purpose as a brothel, which soon gained a reputation for its debasement of the women who were pressed into service there.
Al Swearengen recruited women from the east by advertising jobs in hotels and promising to make them stage performers at his theater. Purchasing a one way ticket for the women, when they arrived, the hapless ladies would find themselves stranded with little choice other than to work for the notorious Swearengen or be thrown into the street. Some of these desperate women took their own lives rather than being forced into a position of virtual slavery. Those who stayed were known to sport constant bruises and other injuries.
With the entertainment provided and numerous women, the Gem prospered and soon became the camp’s chief attraction. Drawing its support from many so-called leading citizens, the saloon was left alone by the authorities.
In the front of the theater were a bar and many seat for spectators. The rear of the building held several small curtained rooms where the Gem's “painted ladies” entertained their customers. On its balcony, the Gem band was said to have played every night, while the girls beckoned to potential customers to com forth. Once inside, the women charged their customers 10¢ for a dance, 20¢ for a beer and $1 for a bottle of wine. As to charges for the "other," it remains unknown.
In addition to the many girls, Swearengen's staff included Dan Doherty, who acted as general manager, Johnny Burns, who was in charge of the girls, and several bouncers. These men were said to have been as brutal to the girls as Swearengen, with beating of the women being a commonplace practice.
Though a popular spot amongst the rowdy miners of the camp, the Gem quickly gained a reputation as a violent saloon where gunshots flying through its interior became commonplace. Sometimes aimed between men in drunken fights, the bullets were just as often aimed at the girls themselves. At one time a Gem prostitute named Tricksie shot a man through the front of his skull after having taken a beating from him. However, the man didn’t immediately die. The doctor was called in who put a probe through the man’s head, amazed that he survived the gunshot at all. He died about thirty minutes later.
Where was Marshal Seth Bullock while all this was going on at the notorious theater? Reportedly, Bullock and Swearengen agreed to draw an imaginary line on Main Street that marked what was referred to as the “Badlands” and the rest of the town. From then on, Swearengen controlled lower Main Street, and Sheriff Bullock controlled upper Main Street.
In the early summer of 1879, the Gem suffered a fire, but the damage was quickly repaired and rebuilt. Just three months later, in September, 1879, the entire town of Deadwood suffered a disastrous inferno that claimed some 300 of its buildings, including the Gem Theater.
Swearengen again rebuilt, this time from the ground up, resulting in a bigger and better theater. When the new Gem was opened in December, 1879 The Daily Times touted it to be the finest theater building ever proposed for Deadwood.
Continuing to prosper, the Gem averaged a nightly profit of $5,000, sometimes even reaching as high as $10,000. But, for Swearengen, it was not to last. In 1899, the Gem suffered its final destructive fire and Swearengen called it quits, leaving Deadwood for good.
After its final demise in 1899, the newspaper had this to say of the Gem:
"harrowing tales of iniquity, shame and wretchedness; of lives wrecked and fortunes sacrificed; of vice unhindered and esteem forfeited, have been related of the place, and it is known of a verity that they have not all been groundless."
The Gem was one of the longest continuously-operating entertainment venues in Deadwood; however, after its demise, the Gem was referred to in the press as the "ever-lasting shame of Deadwood," "a vicious institution," and a "defiler of youth and a destroyer of home ties."
Five years later, in 1904, a drunk and penniless Swearengen was killed while trying to hitch a ride on a Colorado train like a common tramp.
After the Gem burned in 1899, another fire, six months later, destroyed the adjacent buildings leaving a large vacant lot. In 1921, the site became the location of Deadwood's first gas station. Today, the location of the Gem Theater is the site of the Mineral Palace Casino.
For more information on the Gem Theater, Deadwood, and its notorious characters, visit the Adams Museum at 54 Sherman Street, Deadwood, South Dakota, 605-578-1714.
Wednesday, April 8, 2009
Cloud Seeding
Tuesday, April 7, 2009
discussion question
Monday, April 6, 2009
High Winds and Sun...
The Plow That Broke the Plains (1936)
Pare Lorentz would go on to make two more important Depression-era documentaries: The River (1938) and The City (1939). I’ve included them as well.
The River (1938)
http://www.archive.org/details/TheRiverByPareLorentz
The City (1939)
Part 1
http://www.archive.org/details/CityTheP1939
Part 2
http://www.archive.org/details/CityTheP1939_2
Homestead Land Record Patents
Hi Folks.
Thanks to Phil for the great post. That had several interesting topics in it.
In case anyone is interested, you can search some Homestead records online at this website. Simply enter your zip, choose a state and search any last name you wish to. I am sure that many of you will find if you search your family tree that you have some Old Jules-esque relatives . . . perhaps.
If you can't think of any relatives to search- try out Sandoz for Nebraska. Its interesting.
http://www.glorecords.blm.gov/Logon/Logon_Form.asp
See you tomorrow.
Megafauna, Fires, and Black Blizzards
Talk of the Nation,
http://www.npr.org/templates/story/story.php?storyId=4806987
This interview is with a researcher, in the vain of Manning, who proposed to reintroduce descendents of Pleistocene era lions and elephants in order to undo human Plains damage. He published this proposal in the journal Nature. The entire article, "Pleistocene Rewilding: An Optimistic Agenda for Twenty-First Century Conservation," can be found here: http://www.eeb.cornell.edu/donlan/donlan/Reprints.html
I’ve included his abstract at the very end of this post.*
Park Service Maps the
Morning Edition,
http://www.npr.org/templates/story/story.php?storyId=6421573
We’ve talked a good deal about prairie fires in this class. This story discusses how researchers can read history from nature.
Plains Farmers Learn from Past as Aquifer Depletes
All Things Considered,
http://www.npr.org/templates/story/story.php?storyId=12595774&ft=1&f=1007
This story gives a great description of Dust Bowl life and what farmers are now doing to avoid another agricultural catastrophe.
Abstract: Large vertebrates are strong interactors in food webs, yet they were lost from most ecosystems after the dispersal of modern humans from
UICB Brownell Lecture on the History of the Book
UICB Brownell Lecture on the History of the Book
April 16, 8pm
Tippie Auditorium, W151 Pappajohn
Paul F. Gehl, Custodian of the John M. Wing Foundation on the History of Printing at the Newberry Library, Chicago
“Writing the History of the Book On Line”
Book history has become a hot topic in many academic departments, just as we are witnessing the triumph of digital scholarship in all the same fields. Maybe it is time to retire the category of "books about books" in favor of something digital. In this talk, Paul F. Gehl, Custodian of the John M. Wing Foundation on the History of Printing at the Newberry Library, Chicago, will describe his efforts to put his own most recent original research -- about Renaissance schoolbooks -- on line. During his lecture he will ask the audience to help him evaluate the project, for which he has great ambitions. First, can a scholarly monograph too specialized for print publication find any audience on line? And then, can the research behind the monograph be made useful for non-specialists through digital publication?
A reception in the Anderson Galleria will follow the lecture.
Paul Gehl will also attend the Book Studies Workshop to discuss the role of libraries in book history and book arts.
April 16, 1pm – 3pm
29 North Hall
Saturday, April 4, 2009
Old Jules is portrayed as a harsh but self-made man, unyielding in the face of the opposition the West offers and reactionary in support of what he has worked so hard to build. He is a shrewd business man and amasses a prime homestead spot and works very hard to build a life for himself, and eventually, his family. His personality is strong and confrontational to say the least, but this is shown to stem from his desire to work the land. He takes pride in what he accomplishes, which we see in the things he shows his various wives when they first come out to see him. He plants fruit trees, collects stamps, and builds a wooden house out on the prairie, all things that while might seem simple and trivial to a woman arriving from Europe, are evidence of hard work and dedication in the West.
While Old Jules is a symbolic figure of the self-made western settler, his relationship with his family casts a less favorable light on him and skews the complete construction of him as a heroic figure. Rather this construction complicates the image of what makes a hero in western literature and challenges social constructs of the romantic west. Through her representations of her father as a farmer and his goals, it is clear that Mari Sandoz does love him, but it is a complicated love due to the sometimes violent nature of his relationship with his wife and children. We see little tenderness in their interactions, and this can challenge the reader's sympathy towards Old Jules as a character. However he was a real person and is constructed neither a complete saint or a demon but a man, and above all else in the end, he is Mari's father, flawed though he may be.